Tag Archives: music

I WANT YOU…

Superb! I love Postmodern Jukebox…

DAVE DOES GIRLIE

LOL!

WATCH: Foo Fighters’ Dave Grohl reacts in horror listening to his first ever song

He recorded ‘Gods Look Down’ in 1990

Dave Grohl and Barrett Jones© LAUNDRY ROOM STUDIO

Footage has emerged of Foo Fighters lynchpin Dave Grohl listening to the first song he ever recorded on his own 27 years ago.

Dave wrote the song ‘Gods Look Down’ as a fresh-faced 20-year-old way back in 1989 for his hardcore punk act Scream. It eventually appeared on their 1993 swansong record ‘Fumble’, released when Dave was in a certain band called Nirvana.

In a newly unveiled outtake from Foo Fighters’ 2014 HBO series Sonic Highways, Dave and Foo Fighters producer Barrett Jones cast their ears on a version of ‘Gods Look Down’ Dave recorded on his own featuring solely his vocals and instrumentation.

With the pair sitting at the mixing desk, the footage shows the instruments slowly kicking in before Dave isolates his more high-pitched vocals and recoils in horror.

“I sound like a girl,” he says to a laughing Jones. “I don’t think my balls had dropped yet.”

Watch the footage here:

With a string of European and US festival dates already locked in, Foo Fighters are reportedly laying down their ninth studio album this year.

Forced to cancel their 2015 slot at Glastonbury when Dave Grohl fractured his leg, it’s widely predicted they will be joining Radiohead at Worthy Farm this coming June.

ALL OF MY LOVE

THE KING IS DEAD – LONG LIVE THE KING

Well, it had to happen sooner or later. But I’ll miss his playing.  The man sure could hit his licks.

Godspeed BB, and may there be no more need for the Blues where next you play…

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Blues legend B.B. King dies at age 89 in Las Vegas

Blues legend B.B. King dies at age 89 in Las Vegas – CNN.com// // // //

CNN)Riley B. King, the legendary guitarist known as B.B. King, whose velvety voice and staccato-picking style brought blues from the margins to the mainstream, died Thursday night.

He was 89.

His daughter, Patty King, said he died in Las Vegas, where he announced two weeks ago that he was in home hospice care after suffering from dehydration.

King of the blues

The Mississippi native’s reign as “king of the blues” lasted more than six decades and straddled two centuries, influencing a generation of rock and blues musicians, from Eric Clapton and Stevie Ray Vaughan, to Sheryl Crow and John Mayer.

Musicians mourn the loss of B.B. King

His life was the subject of the documentary “B.B. King: The Life of Riley,” and the inspiration for the The B.B. King Museum and Delta Interpretive Center, which opened in 2008.

King’s enduring legacy came from his refusal to slow down even after cementing his status as an American music icon.

Even with a long list of honors to his name — Grammy Lifetime Achievement Award, Rock and Roll Hall of Fame induction, Presidential Medal of Freedom — he maintained a relentless touring schedule well into his 80s.

Throughout his career, King evolved with the times to incorporate contemporary trends and influences without straying from his Delta blues roots. Whether he was sharing the stage with U2 on “When Loves Comes to Town” — a scene memorialized in the 1988 concert film, “Rattle and Hum” — or playing in the East Room of the White House with Buddy Guy, Mick Jagger, Jeff Beck and others, King’s single-string guitar notes trilled with an unmistakable vibrato from his hollow-bodied Gibson affectionately known as Lucille.

Slowing down

King finally started showing signs of his age last year after decades of living with Type II diabetes.

A shaky show in St. Louis prompted his reps to issue an apology for “a performance that did not match Mr. King’s usual standard of excellence.” He fell ill in October after a show at Chicago’s House of Blues due to dehydration and exhaustion, prompting a rare cancellation of the remainder of his tour.

He was hospitalized for dehydration April in Las Vegas, a long way from his modest roots as the son of a sharecropper.

King was born on September 16, 1925, on a cotton plantation between Indianola and what is now Itta Bena, Mississippi. He sang with church choirs as a child and learned basic guitar chords from his uncle, a preacher. In his youth, he played on street corners for dimes, saying he earned more in one night singing on the corner than he did in one week working in the cotton field.

Beale Street Blues Boy

He enlisted in the Army during World War II but was released because he drove a tractor, an essential homefront occupation.

In 1947, he hitchhiked to Memphis, Tennessee, home to a thriving music scene that supported aspiring black performers. He stayed with his cousin Bukka White, one of the most celebrated blues performers of his time, who schooled King further in the art of the blues.

King took the Beale Street Blues Boy, or BB for short, as a disc jockey for radio station WDIA/AM Memphis.

He got his first big break in 1948 by performing on Sonny Boy Williamson’s radio program out of West Memphis, leading to steady engagements at the Sixteenth Avenue Grill in West Memphis, and a 10-minute spot on WDIA.

As “King’s Spot” grew in popularity on WDIA, King shortened “Beale Street Blues Boy” to “Blues Boy King,” and eventually B.B. King.

His ascent continued in 1949 with his first recordings, “Miss Martha King/Take a Swing with Me” and “How Do You Feel When Your Baby Packs Up and Goes/I’ve Got the Blues.” His first hit record “Three O’clock Blues” was released in 1951 and stayed on the top of the charts for four months.

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Beloved Lucille

It was during this era that King first named his beloved guitar Lucille. In the mid-1950s, King was performing at a dance in Twist, Arkansas, when a few fans became unruly and started a fire. King ran out, forgetting his guitar, and risked his life to go back and get it. He later found out that two men fighting over a woman named Lucille knocked over a kerosene heater that started the fire. He named the guitar Lucille, “to remind myself never to do anything that foolish.”

King has used various models of Gibson guitars over the years and named them each Lucille. In the 1980s, Gibson officially dropped the model number ES-355 on the guitar King used and it became a custom-made signature model named Lucille, manufactured exclusively for the “King of the Blues.”

30 Grammy nominations

In 1970, he won his first Grammy, for Best R&B Vocal Performance Male for his trademark song, “The Thrill is Gone.” That same year, he debuted an all-blues show at Carnegie Hall and appeared on “The Ed Sullivan Show.”

BRIDGE OF SIGHS – ACCULTURATION

For your Monday Acculturation

 

HOUSES OF THE HOLY

My favorite album by Led Zeppelin and one of my favorite songs by Led Zeppelin. Kashmir being my very favorite song by them.

Hear an Unreleased Early Mix of Led Zeppelin’s ‘Houses of the Holy’

Version from ‘Physical Graffiti’ reissue highlights John Bonham’s drum fills and Robert Plant’s harmonies

By | January 20, 2015

Led Zeppelin
Led Zeppelin’s reissue of ‘Physical Graffiti’ includes an alternate take of “Houses of the Holy.” Ian Dickinson/Redferns/Getty

Next month, Led Zeppelin will reissue their sixth album, the 1975 double LP Physical Graffiti, with a disc’s worth of unreleased versions of the record’s songs. Among these is a rough mix of the funky hard-rock radio staple “Houses of the Holy.”

Slightly shorter than the version that appeared on the original album, the rough mix places guitarist and producer Jimmy Page‘s iconic riff in the right speaker and reduces some of the high end. The bass is more prominent, John Bonham’s percussion sounds looser in the verses and the overdubbed stabbing guitar line toward the end of the song is more prominent. On top of that, Robert Plant’s harmonies on the line “Let the music be your master” are even more present.

“‘Houses of the Holy’ is unlike anything that anyone was doing,” guitarist and producer Jimmy Page tells Rolling Stone. “It’s just something that’s totally of its own. I think the lyrics are brilliant on it.”

The rest of the reissue includes rough mixes of “Trampled Under Foot” (titled “Brandy & Coke”) and “In My Time of Dying,” an early version of “Sick Again,” a Sunset Sound mix of “Boogie With Stu” and a rough orchestra mix of “Kashmir” that’s titled “Driving Through Kashmir.” It also contains what the band has billed as a “strikingly different” take on “In the Light.”

As with last year’s reissues, the new edition of Physical Graffiti, which Page personally remastered, will be available in a variety of formats, including standard CD, vinyl and digital releases. A super deluxe version will contain CDs, vinyl and links to high-def audio, as well as a hard-bound, 96-page book containing rare and previously uncirculated photos and memorabilia.

The reissue will arrive on February 24th and is available for preorder on LedZeppelin.com.

BRIDGE OF SIGHS