WITHOUT GOD from DIVINE SOPHIA

Without God man is a complete cipher, endless in his ambitions, but with only one aim –

himself.

A SERPENT COILED – FIRST VERSE

OPEN CHOICE IN GAMING – THE FORGE

Tome and Tomb

Today’s entry for The Forge is based upon a correspondence between me and an old friend over the idea of exactly how much of a game can and should be programmed (pre-designed), how much should be flexible and open to ad hoc manipulation, and what the consequences of these conflicting deign principles really mean.

Of course in tabletop and role play games (non-electronic versions) the ad hoc and “open” elements are much easier to develop and fully exploit in comparison to exactly how much of a computer or electronic or video game must be pre-programmed. But in my opinion the ultimate goal even of computer and video and even virtual reality games is not just to mimic or emulate open choice, but to actually develop program parameters than allow a sort of “open interface” with the gaming world in the same way that an individual can interact with the Real…

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D20 MODERN AND URBAN FANTASY – DESIGN OF THINGS TO COME

Tome and Tomb

Article: My New d20 Modern Campaign

This is not my article, but I post it for the Design of Things to Come because it so poignantly displays to me how easy it is to convert the new 5th Edition Dungeons and Dragon Rules to various types of Fantasy Role Play milieus. Similar to how easy it was to convert AD&D in the same way.

I think that fact alone is an important lesson for Game Designers and Developers. Be they Computer, Electronic, Parallel Reality, Role-Play, Tabletop, or eventually, even Virtual Reality game designers and developers.

Behind the Screens

By Dan Helmick – 04/13/2015

I’m a longtime D&D player, but I’m also a sucker for urban fantasy. With the Dungeon Master’s Guide and some tweaking, I’ve begun to use the fifth edition rules to explore the possibilities of gunplay in a modern fantasy setting.

When Wizards of the Coast released the…

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THE SECRET WIZARD

Wyrdwend

I had an excellent idea today for a new fictional short story while on my morning walk through the woods with my Great Dane Sam. (We got soaked, by the way, in a rainstorm, nevertheless the rain was mostly warm and it was quite fun.)

Since I am writing a non-fiction book about Christian Wizardry that I call, cleverly enough, The Christian Wizard, the idea occurred to me this morning to write a fictional story about a young boy at an archaeological dig (at a cave on a Greek island) who accidentally discovers the tomb of long dead man, the tomb being filled with the artifacts and paraphernalia of the dead man’s life and craft.

For a reason the boy cannot immediately explain he decides to keep his discovery a secret and plunders the tomb for all he can recover: scrolls, books, artifacts, relics, tools, and devices, etc.

Upon…

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SUMMARY PITCH OUTLINE – HAMMER, TONGS, AND TOOLS

Wyrdwend

It’s Thursday meaning Hammer, Tongs, and Tools.

For the past few years I’ve been developing Tools to assist me in my career as a fiction writer, songwriter, and poet. In preparation for pursuing those careers.

I have decades worth of Tools regarding my business-careers as a business, copy, and non-fiction writer, and inventor (and as a poet, I’ve been a poet since I was about age 8 or so), many of which I have been posting to my Business Blog, Launch Port.

But here in Wyrdwend I’m going to start making it a habit to post some of my more useful Writing Tools in the form of Templates. I’ll arrange them all into a sellable book, or e-book, or workbook, something like that, maybe in a year or so. I’m too busy right now.

I’m giving you permission to use these tools, or to use them as idea-generators to…

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THE GRASS IS DEAD

Wyrdwend

I disagreed with him on many things. I thought him an outright fool on more than one issue and occasion.

(Yes, yes, I know how literary “icons” and the modern intelligentsia and the types of men who believe politics to be the answer to all existence – human or otherwise – like to cluster around each other to breathlessly and mutually glorify their own supposed genius. But I am far more skeptical of “modern genius” in all its many fictional forms. As a matter of fact I rarely see any real evidence of the supposed “modern genius” of self-styled “modern geniuses,” and their numberless cohorts, ever, or at all.)

But narrowing his views down to the strictly literary disciplines I did often agree with him on these scores: there is a new illiteracy (not in the inability to read and write, but in the poverty of having…

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